Wednesday, February 16, 2011

Those crazy Masons!

Reading a bit about anti-Freemason movements today in Wikipedia, I found this gem:

"Historically, complaints have been made that the Masons have secretly plotted to create a society based on the revolutionary ideals of liberty, equality, fraternity, separation of church and state and (in Nazi Germany) a Jewish plot for religious tolerance."

My God! Hide your children from these devils!

Thursday, February 3, 2011

Yes, I CAN take pictures here ...

A racist jerk in my neighborhood, right as he rushed me.

I live in a nice neighborhood, Winston Manor in South San Francisco. It's clean, well-maintained, ethnically heterogeneous, and -- other than having to suffer the occasional annoyance of lazy neighbors parking on the opposite side of the street (i.e., facing the wrong direction) -- it's never bugged me in the eight-plus years I've lived here. Until today.

We have a friend renting out our "library" for a few months as he's just re-located to the Bay Area and needs to get settled. He's enjoyed the town thus far, and has taken walks to the nearby park the last several days. He came back this evening and showed me the following entry he had just put on his Facebook page:



Say what? My friend just wanted to shoot some snaps of our neighborhood for out-of-town friends on the Internet when some idjit tried to shut him down, called him an "Ay-rab" and warned that he could get "shot" if he continued (you know, the "threat that's not an outright threat" game). I was a bit irritated as you can imagine. So what did I do? See if it could happen to me, of course.

Having both a journalism degree (which included courses in media law) and three years dispatching for the police, I know I can take pictures in public with hardly any restrictions. Even a quick Google search will show multiple websites that say taking pictures of houses from the sidewalk is permissible. While it is courteous to ask permission, it is not required for personal, non-commercial purposes like those of my friend.

After asking my friend to stay behind (in order to see if a white person would get the same reception), I began walking down Arlington Drive, in the direction where my friend said the confrontation happened. I occasionally pointed my camera at houses as I walked down the sidewalk at a steady, brisk pace. I rarely actually took a picture. To be perfectly clear, not once did I take any pictures of people or through open windows. And just to prove my point, that we were doing no more than what is already on the Internet, here's a link to the Google Streetview of the area.

About a third of the way down the block, someone on the opposite side of the street stepped out on their porch, yelled "Turn around!" then "Smile!" as they took my picture. I complied -- hey, I was in public and fair game. I thought, "OK, that was probably where (my friend) had his problem," and figured they weren't giving me as many problems because I was white. I kept walking, to finish my loop of the neighborhood.

But about 200 feet down the street, at about the point on the Streetview map above, a burly white man in his late 30s/early 40s, wearing an unflattering sweatsuit combo, approached me and asked what I was doing. I flipped on voice memo on my iPhone and recorded the following:

John (J): "I'm just taking pictures."
Burly Racist Ass (BRA): "Why?"
J: "Frankly my friend, that's not your business."
BRA: "You can't take pictures of houses, that's violating people's privacy."
J: "No sir, it's not. I'm on public property."

At this point I began walking away, in the same direction I was originally heading. All of a sudden, the man gently swiped my foot with his foot and then did it again when I kept walking. It was after that second time that I warned him that I was recording the whole conversation and that was the second time he had kicked me.

BRA (realizing his situation): "I didn't kick you. You need to ask people if you can take pictures."
J: "May I take your picture, my friend?"
BRA: "Yes."

As soon as I pulled out my camera and pointed it, the man pounced. He rushed me, tried to grab my camera (which I protected in my hand) and managed to break the strap (right). I was a bit surprised at how well I kept my temper, and our conversation continued.

J: "You just assaulted me."
BRA: "I didn't assault you."
J: "I've got it on tape." (Actually on flash memory.)
BRA: "All you have is us talking."

I asked his name (to which he offered a colorful non-sequitor), asked him to pay $10 for the broken camera strap (he refused) then told him I didn't appreciate him calling my friend an "Ay-rab," (double wrong because my friend isn't of Middle-Eastern descent). "We don't have room for racists in this neighborhood," I said, then walked off.

The man then mumbled something about talking to another neighbor, who he said was a cop, and stormed off. "Whatever," I said, knowing I was in the right, and continued on my walk. I got to the bottom of the hill, then walked back up to my house on the other side of the street. All my interactions with people on the other side of the street were congenial.

I never saw the burly guy again, and my friend later confirmed (via description and blurry picture) that my confrontation was with the same person as was his.

What it comes down to is this: I have the right to take pictures on a public street. If you want to be suspicious of some otherwise nondescript people taking pictures in a public place, fine -- call the cops. Let them make sure the person isn't up to no good. Don't come roaring out of your house calling people racist names and try to grab their camera. I've half a mind to make this a weekly project, or organize a flash mob to go up and down the street taking pictures.

Oh, and if anyone still thinks I was violating privacy by taking pictures, here's a sample of the (now all-deleted) pictures I did take. It's my own house, and you can see the resolution was quite low.

Thursday, January 13, 2011

Oh, really? Nuts!


Allergen warnings are getting out of hand when they're telling you that your bag of peanuts may have been produced in a factory that processes peanuts.

Thursday, December 16, 2010

Literary decisions in haiku

In his book, The Heart Aroused: Poetry and the Preservation of the Soul in Corporate America (1994, Doubleday), author David Whyte recalls the epic hero Beowulf's battle with Grendel’s mother. Beowulf is forced to descend into the murky depths of a lake to face his fears — despite an urge to stay safe in the light. Whyte points out that the search for one’s own soul and the corresponding need to make a momentous, life-changing decision is a common theme in literature. Below, I enter the heads of other great literary (and one cinematic) characters as they make a decision — in haiku.

(Super-minor spoilers for classic literature):

Gilgamesh:
Enkidu, my friend
I wish I were more like you
Able to know me

Odysseus:
It’s a long way home
I’ll see my loving wife soon
But first, I explore

Beowulf:
The abyss beckons
His mother wants to kill me
But I find a sword

Dante:
Nine circles explored
I abandoned hope, entered
The soul’s journey ends

Elizabeth Bennet:
Marry for money?
Never! I’ll marry for love
Darcy? Not so bad …

Jo March:
Aunt March wants me home
I’d rather visit with Laurie
Beth, how I miss you

Anne Shirley:
Oh, that currant wine!
The red soil of my home
Won’t keep me rooted

Jay Gatsby:
Having a goal helps
I choose to be in West Egg
To be near Daisy

Tom Joad:
We came here for hope
California was no home
For Okie workers

Rick Blaine:
My café is free
What is important? Elsa
I will help Lazlo

Holden Caufield:
Too much phoniness
This school is not where you learn
Big Apple beckons

Atticus Finch:
Race should play no role
Justice needs an example
For my two children

Doctor Manhattan:
I am above them
Ozymandias is right
Deception saves man

Monday, December 6, 2010

What goes through a kid's mind at dinner

While I was in class tonight, the missus took the opportunity to take Ian out to dinner with a couple friends. If you ever wondered what a kid thinks while he's at a restaurant, just give him an iPhone and tell him to take notes.

My six-year-old wrote the following:

6:06 p.m. -- We are almost at the restaurant
6:44 p.m. -- We are now at the restaurant
6:45 p.m. -- We're at Outback Steakhouse
6:46 p.m. -- I like Outback Steakhouse
6:47 p.m. -- My food is not here yet
6:47 p.m. -- I am getting Chicken
6:48 p.m. -- Bread is here
6:48 p.m. -- But my food is not
6:49 p.m. -- I got Root Beer
6:51 p.m. -- They are getting my food
6:52 p.m. -- Outback Steakhouse is good
6:55 p.m. -- My Food is still not here
6:56 p.m. -- I like songs
(food comes, they eat, Ian resumes taking notes)
8:13 p.m. -- We we're at Outback Steakhouse
8:14 p.m. -- Sharkboy and Lavagirl are cool
8:15 p.m. -- Fireboy and Watergirl are cool also
8:17 p.m. -- I made up Sharkgirl and Lavaboy and Firegirl and Waterboy

Grammar and spelling as by the author. And "Sharkboy and Lavagirl" was horrible.

Saturday, December 4, 2010

Cricket is an evil sport

Like many cities, Perth offers special bus service to major sporting events. When I was last there, there was a club cricket match at the local oval. Why do I think cricket is evil (despite loving Lagaan)? Check out the special service route number on the bus.

Wednesday, December 1, 2010

My music collection, by the numbers


I was at the San Carlos Library today prior to a meeting and perused the compact disc section. It got me musing -- for the first time in a while, it seemed there was nothing there I wanted to copy.

I've admitted in the past to occassionally borrowing a CD from the library and copying its contents. I'm not proud of the practice, but I'm also not going to pay $14.99 for a CD that I want one song from. I consider it a minor copyright violation sin on the level of photocopying a page out of a library book.

Of course, there are sites where you can legally download single songs, such as the iTunes Music Store, Amazon.com/mp3, Rhapsody.com, etc., and I routinely use them. With that in mind, I did a quick perusal of my iTunes music library (above) and tried to figure out approximately what percentage of my digital music came from what source.

The early very-rounded guesstimates:

65 percent copied from CDs belonging to me or my family;
15 percent copied from library discs;
10 percent from legitimate online music purchases;
10 percent from, er, illicit means (old Napster, etc.).

Of the library and "illicit" numbers, I consider that I legitimately own about a third of that 25 percent because I've downloaded/copied a lot of music that I actually paid for years earlier in the form of cassettes but never replaced with CDs. So I guess we can figure that about 16 percent of my music has not been paid for (there goes the political career!). But to be honest, if I didn't buy it legitimately, I probably wouldn't (or couldn't) have bought it anyway.

In the comments, I'd love to hear about what percentage of my readers' music collection is "valid."

On a side note, I'd like to note that I think the San Carlos Library is one of the best, if not the best, in San Mateo County. Great CD and DVD collections, large graphic novel collection (of which only 50 percent is manga) and a large study area. Everyone sings the praises of San Mateo's new library, but I prefer San Carlos.

Saturday, November 13, 2010

South City keeps Bell, 29-22

I covered the annual Bell Game between nearby South San Francisco and El Camino highs this afternoon. I see about 15-20 games per year, and this was the best game I've seen in a long time. A combination of a tight game, a huge, enthusiastic crowd on both sidelines and some questionable officiating and coaching made this one memorable. I'm reprinting my story here because I knew the Times is going to going to butcher it for space. Hey, I gotta have my clips somewhere!

(The Times does have the story online with minimal cuts. I'll have to see what makes the actual paper on Sunday.)



SOUTH SAN FRANCISCO — Despite the tears in his eyes, El Camino coach Mark Turner held his thumb and forefinger just a smidgen apart and smiled.

“One inch,” Turner said. “For years, over the history of people playing sports, people have put their two fingers together and said they were ‘this close’ to winning. Usually it doesn’t mean they were that close to winning … but we were literally an inch away from winning.”

Turner was referring to a play that happened with 52 seconds left in Saturday afternoon’s 48th Bell Game between El Camino and host South San Francisco. The Warriors converted a critical 4th and 2, with the tip of the ball just touching the marker pole on the ensuing measurement, then scored on a 16-yard pass from Brad Los to sophomore Robert Johnson to secure a 29-22 win after a two-point conversion on the next play.

With the win, South City (5-4) retains the Bell and has won 39 of the contests between the two South San Francisco schools. El Camino just missed out on its 10th win in the series.

The rivalry inspired the game situation Saturday, coaches admitted. For example, take the case of the Warriors trying to make the critical fourth-down play instead of attempting about a 35-yard field goal. (Right: The referees award the first down to South City High as El Camino players, in red, look on.)

“Do we make that play against Menlo School? No,” said South City coach Frank Moro. “Maybe that little extra shot of adrenaline playing for a Bell in front of a big crowd (did it).”

But to even see how the Warriors got in a position for the winning score, one must regress to just after the Colts scored a go-ahead touchdown to lead 22-21 with just 2:42 left. Turner had El Camino line up for an onside kick, but South City recovered on their own 49 to set up the final drive, in which good starting position proved critical.

“If you don’t get the ball on the 50, maybe you don’t feel you have a chance and you start sputtering,” Moro said. “(The Warriors) didn’t give up. It was almost like a gift.”

Turner argued that South City had brought back the ball nearly to midfield on almost every kickoff anyway, and thought that by kicking it short some Colts player might get lucky.

“Our kickoff coverage team this year has been a little scary,” Turner said. “I know it’s something a lot of people are going to question in hindsight, but hindsight is 20-20.”

El Camino (5-5) had taken a 14-13 lead into halftime after pair of touchdown passes from Omar Kharrob to Justin Eclavea and Tyler Rios, for 16 and 5 yards, respectively. South San Francisco (5-4) had gotten its first half scores on a 59-yard run up the right from Falah Salem and JJ Vaioli’s eight-yard run.

After a scoreless third quarter, the Warriors broke through with 8:36 left in the game when Salem capped a 10-play, 94-yard drive by running the ball in two yards, then also brought in the two-point conversion to give South City a 21-14 lead.

El Camino then ate up the clock with a 13-play drive which culminated with Tajah Childs running a route up the right for a five-yard scoring reception with made it 21-20. Although Childs made the catch, the referees ruled he was interfered with and charged South City with a half-the-distance penalty on the PAT. With only four feet to go to the goal line, Turner played for the win and Nathan Huey barely made it in for a two-point conversion and a 22-21 El Camino lead with 2:42 left.

Salem led all rushers with 178 yards on 25 carries. DJ Peluso led the Colts with 104 yards on 17 carries, while Huey’s 26 rushes led to 79 total yards.

“We made a great defensive play and the tip of the ball met the pole. Maybe there was a lot of extra cushioning on the pole, but we were less than an inch from winning the game,” Turner said.

“I told the seniors to remember this date, Nov. 13, 2010. They’re going to remember it, but they’re going to remember it by that one inch.”



El Camino (5-5) 7 7 0 8 — 22
South San Francisco (5-4) 7 6 0 16 — 29

EC-Eclavea 16 pass from Kharrob (Reinke kick)
SSF-Salem 59 run (Torres kick)
SSF-Vaioli 8 run (kick failed)
EC-Rios 5 pass from Kharrob (Reinke kick)
SSF-Salem 2 run (Salem run)
EC-Childs 5 pass from Kharrob (Huey run)
SSF-Johnson 16 pass from Los (Bildhauer pass from Los)

EC SSF
Yards rushing 207 206
Yards passing 50 103
Total net yards 257 309
Turnovers 2 2
Fumbles 1 0
Fumbles lost 1 0

INDIVIDUAL RUSHING
EL CAMINO (att-yards) — Peluso 17-104, Huey 26-79, Kharrob 7-16, Samson 1-6, Carr 1-1, Childs 1-1.
SOUTH SAN FRANCISCO — Salem 25-178, Los 3-15, Vaioli 2-14, Johnson 1-3, Bildhauer 1-(minus 2), Tufono 1-(minus 2).

INDIVIDUAL PASSING
EL CAMINO (com-att-yds-int) — Kharrob 7-18-50-1.
SOUTH SAN FRANCISCO — Los 8-17-103-2.

INDIVIDUAL RECEIVING
EL CAMINO (rec-yds) — Eclavea 2-28, Rios 2-15, Childs 1-5, Peluso 1-2, Francesconi 1-0.
SOUTH SAN FRANCISCO — Vaioli 3-29, Bildhauer 2-26, Salem 1-18, Johnson 1-16, Moro 1-7.

Three classes are killing me

Sorry for the dearth of posts, but I'm taking three classes this semester on top of gainful employment and the workload is killing me. But I've got some stuff coming up. Stay tuned.

Thursday, August 12, 2010

Many Bothans died to bring us this information

George Lucas has made no secret that the overarching theme of his original Star Wars trilogy was inspired by classical mythology and studies about it (PBS, 2004). What the filmmaker may not have realized is that the organizations within the saga also reflect several examples of classic organizational theory.

Right: The Ewoks, proponents of open systems theory.

The last film of the original trilogy (sixth in the internal chronology), Star Wars Episode VI: Return of the Jedi (hereafter as “RotJ”), features three organizations which appear to operate according to historic organizational theories espoused by pioneers in the field. One example is the much-maligned Galactic Empire — a classic example of Max Weber’s theory of bureaucracy. The Rebel Alliance closely follows Henri Fayol’s theory of general management. Finally, the Ewok clan on the forest moon of Endor operates in some form of an open systems model. Return of the Jedi provides a compelling comparative study of these theories in action.

Circumstances leading up to the climactic Battle of Endor, where two great (and one not-so-great) cultures clashed in a conflict that would help decide the fate of a galaxy far, far away may not have resulted from differences in organizational culture. But organizational culture — particularly the adaptability of the Ewoks and the better motivation of the Rebellion — arguably helped decide the outcome of that battle. It should be noted that there is one organization featured prominently in the film that does not fit well into any classical management theory: the criminal gang headed by Jabba the Hutt. That group utilizes elements from numerous theories and is featured in the sidebar.

Emperor Palpatine and Max Weber, peas in a pod(racer): The Galactic Empire, as headed by Emperor Palpatine and his iron grip, is a classic example of Max Weber’s theory of bureaucracy in action.

The parallels become readily apparent in the opening moments of the movie. First, we see the parade of workers, neatly lined up by function and uniform (stormtroopers, speeder-bike troopers, Death Star crewmen, etc.) to honor a visiting dignitary, demonstrating Weber’s hierarchy of authority. Then, starting at 00:04:00 the condescending conversation between Darth Vader and the construction foreman simply drips a “spirit of formal impersonality” (Tompkins, 2005, p. 48). Vader expands a bit from Weber into McGregor’s “Theory X” seconds later when he speaks of finding “new ways to motivate” the construction workers — an inherent threat to coerce and control the crews under the tight direction of a Dark Lord of the Sith. The foreman’s reply of “We shall double our efforts” seems very much in tone with Herzberg’s “negative psychological KITA” — the implied cruelty being sufficient motivation to proceed (Ott, Parkes & Simpson, 2008, p. 174) — as well as Fredrick Taylor’s obsession with control (Tompkins, 2005, p. 84).

Discipline, as is typical in a Weberian bureaucracy (Ott, Parkes & Simpson, 2008, p. 50), is tight, with no room for insubordination. This is illustrated at 1:41:00 into the film (time marks in this paper are based upon the 2004 Special Edition DVD release of RotJ) when the Imperial admiral orders the fleet to hold in place despite being told his ships were in attack position. His subordinate accepts the answer without question, just as the admiral had accepted it from the Emperor. But — like Weber’s idea, when put into practice — the Empire also falls victim to the irrationality of workers who put their own political needs ahead of the company’s at 1:57:00 when Vader turns on the Emperor, who is in the process of making Force fricassee out of his son. The Empire, like Weber’s ideas, falls quickly out of style soon thereafter.

Fayol and Mon Mothma, revolutionaries: Just as the Rebel Alliance was a reaction to the heavy-handed policies of the Empire, the Administrative Management Theory of Fayol, Mooney and Gulick was a rebellion against the heavy-handedness of Weber and (to some extent) Taylor’s scientific management. The more people-oriented structure of the Rebels reflects especially well on Fayol’s Fourteen Administrative Principles (Tompkins, p. 100).

Some of the policies espoused by the Rebellion come straight from the 14 principles: for example, authority and responsibility are earned together, there is unity of command and unity of direction (Mon Mothma leads the Alliance, but assigns one leader for a group of activities having the same objective — i.e., Han Solo leading the ground assault on the shield generator). Members subordinate their individual interests to the general interests — a prime example being Luke Skywalker turning himself in to the Imperial garrison when he realizes Darth Vader’s obsession with him might endanger the mission.

Lando Calrissian, savior of the Rebellion.

One primary principle helped lead the Rebels to a narrow victory in the skies above Endor. Fayol’s 13th administrative principle is “initiative,” valued even at the expense, sometimes, of the scalar chain. At 1:35:00 into RotJ, Admiral Ackbar realizes the Rebellion has been led into a trap and begins preparations to withdraw. Lando Calrissian, moments later, notes that the Star Destroyers of the massive Imperial Fleet have stayed back to let the Death Star do the dirty work of destroying the fleet (as noted in the previous section) and sends the Rebel fleet into the midst of the Imperials to buy time. Using his own initiative and over-ruling the admiral, Calrissian was able to initiate a strategy that kept the Rebel fleet intact long enough for his compatriots on the Endor moon to shut down the shield generator protecting the Death Star.

Finally, there is room for emotions within the Rebellion and this helps develop esprit de corps, Fayol’s 14th point. When the Death Star blows up 2:02:00 into the film, Nein Numb (co-pilot of the Millennium Falcon) is just one of many who were cheering. Such celebration would be discouraged in the Weberian Empire — it takes away from time that could be used for production.

Ewoks, the open systems wild card: It could be argued that it was only with the intervention of the Ewoks that the Rebels were able to defeat the Empire at Endor. By the 1:37:00 mark of RotJ, the Rebel raiding force had failed to shut down the shield generator and been captured (save for the droids). Then an Ewok counter-attack helped the Rebels get free, overpower their opponents and blow up the shield generator — resulting in the space victory moments later. The Ewoks’ flexibility in being able to come to a relatively quick decision to help the Rebels and being able to adapt to an uncertain environment puts the Ewoks firmly into the open systems model of the competing values framework (Tompkins, p. 263).

The Ewoks seem to have an organic management system which helps them deal with the adversity they find on Endor’s forest moon. As put forth by Tom Burns (Tompkins, p. 253), workers are given broad, loosely defined roles and are expected to contribute their knowledge and experience to the common task if the group as a whole. When Wicket, a young Ewok, finds a dazed Princess Leia in the woods, he uses his own initiative to take her back to the Ewok village. This proves critical in building trust between the Ewoks and Rebels later.

Elements of other organizational theories are evident studying the small hunter gatherers. When the Ewoks have to conference over what to do with their new “god” C-3PO and his less-golden friends, there definitely seems to be a depersonalized authority, ala Mary Parker Follett. Moreover, the Ewoks demonstrate a form of cooperative decision making as they, in the words of Threepio, make the Rebel raiding force “a part of the tribe” (1:17:00 in RotJ).

In another illustration of the Ewokian flexibility, by the 1:47:00 mark of the movie, the furry beings are attacking Imperial AT-ST walkers with whatever means they have at their disposal. To wit, the Ewoks use rolling logs, rocks dropped from primitive gliders and booby traps made from vines. Pfeffer and Salancik (as quoted in Tompkins, p. 262) note that in actual practice, performance is largely determined by environmental factors — and this is evident as the Ewoks know how to adapt to their environment much better than do the Imperial forces and their overbearing management style.

The people over the bureaucracy: Much as Weber eventually fell out of favor, done in by evolving ideas, so did the Empire. When faced with the spirited Rebellion and the adaptability of the Ewoks, Imperial forces failed despite having both superior numbers and technology. This is paralleled in the real-world example of Weber’s (and Taylor’s) theories not being able to deal with more educated and self-aware workers whose motivation come not from the threat of being choked from afar via the Force, but rather through a strong investment in the goals and ideals of the organization with which they are affiliated.
_______________________
The curious case of Jabba’s Palace
One other, less formal, organization in Return of the Jedi deserves a brief mention — that which formed in the Tatooine “palace” of Jabba the Hutt. The entourage of this “vile gangster” (as labeled in the opening scrawl) shows elements stereotypical of many classical organizational theories. Jabba’s gang shows organizational structure without the rigid ranks of the Empire and Rebels and without the cooperating systems seen in the Ewok clan.

At first glance, the crime family appears to have a strict hierarchy straight out of Weber. You have Jabba, the powerful executive, ruling with an iron fist. He throws dancers he disapproves of to the Rancor and has all outside contact with him set up through his major domo, Bib Fortuna. When R2-D2 and C-3PO are put on Jabba’s “payroll” by the droid supervisor (0:12:10), the emphasis of their orientation is that they “will soon learn respect.”

Jabba is not one to be held to strict bureaucracy, however. Like Argyris, Jabba values interpersonal competence — which is reflected in a person’s ability to solve interpersonal problems in a way that they remain solved (Tompkins, 2005, p. 216) — and operates accordingly. This is demonstrated when a bounty hunter (actually Princess Leia in disguise) completes a difficult negotiation with Jabba by threatening him with a thermal grenade (0:16:10 in Jedi). The Hutt responds by raising his offer price and stating, “This bounty hunter is my kind of scum, fearless and inventive,” (which also indicates Jabba has a fondness for the rational goal model in the competing values framework: he is ends oriented and values efficiency).

This goal-attainment focus could be one reason why Jabba’s minions do not express Fayol’s esprit de corps, with the associated willingness to see the organization succeed at risk of personal costs. This lack is illustrated when panic breaks out aboard the Hutt’s sail barge during the abortive execution at the Sarlacc pit. Jabba is left alone and unprotected, allowing Princess Leia to strangle the crime lord with a giant pair of chains in the film’s 34th minute. A reverse corollary of Maslow’s hierarchy of needs (as explained in Ott, Parkes and Simpson, 2008, p. 133) may explain this development: as higher-level motivators fall by the wayside, employees revert to protecting more basic needs — such as saving their own skins from a blond man with a lightsaber instead of their boss from a princess in a metal bikini.
Works Cited

Kasdan, L., Lucas, G. (Writers), & Marquand, R. (Director). (2004 (1983)). Star Wars Episode VI: Return of the Jedi (2004 Special Edition DVD) [Motion Picture]. 20th Century Fox.

Ott, J. S., Parkes, S. J., & Simpson, R. B. (Eds.). (2008). Classic Readings in Organizational Behavior (4th ed.). Belmont: Thompson Wadsworth.

PBS. (2004, January 13). About George Lucas. Retrieved August 12, 2010, from American Masters: http://www.pbs.org/wnet/americanmasters/episodes/george-lucas/about-george-lucas/649/

Tompkins, J. (2005). Organization Theory and Public Management. Boston, MA: Wadsworth.

Monday, August 9, 2010

What I saw at Comic-Con this year!

Right: Klingons apparently took over the Gaslamp trolley station. Glad to see San Diego MTS getting into the Comic-Con spirit!

When I went to Comic-Con last year (also here), I went solo and was much more organized. This year I brought my family (Claire's been here with me at least three times previously, but Ian's only been here as a baby), and had to make adjustments. I saw fewer panels and waited in more lines, but still had fun.

Highlights of what I saw:
Kids love Legos, Harry Potter and the Simpsons. Put them all together and you have this.

Stan Lee (far right of photo to the left) and Neal Adams (center) previewed a Holocaust-related motion comic called "Messenger from Hell" about Jan Karski, who smuggled himself out of Poland during World War II to bring news about the extermination of the Jews to the West. Lee is doing the narration and Adams is doing the art.

Quoth Stan: "Neal is one of the most socially minded people I've ever met. This is really something he sheparded. It was both depressing and triumphant."

Adams, who was illustrated a series of six motion comics in the series, noted that early warnings about the Holocaust be such public figures as Fiorello LaGuardia were often discounted.

"The hardest thing to think about (the Holocaust) is why did nobody raise a voice?" he said. "People did raise a voice."

Information about the series is available online.

(Right:) Ian got to brush up on his Norse mythology!

(Below right:) Gosh, the baggy shorts and loose shirt make me look fat. No wonder the kid beat me!